There's going to be a scarce number of them. They're going to be about and around each star. And we're calling them our pre-season passes. It's going to be on the DraftKings marketplace. And then with Lionsgate, it gives us access to one of the world's premier entertainment libraries.ĪDAM SHAPIRO: Is it going to be a mix of, here's the fee, I buy, auction, or is it going to be all of one of the other?ĭILLON ROSENBLATT: Well, I can speak to what we're doing today in our first sale. So in the nature of DraftKings, we'll be selling our sports-related content through them. And that's in line with the mission that Autograph has, to bring NFTs to everybody who wants to own and enjoy a digital collectible. They've committed to creating an accessible marketplace experience for their users. And I think that's really important to note. And DraftKings is going to be the marketplace for our sports related NFT content. We are lucky to have them and their incredible content library to start creating these incredible digital collections from.
So own it, enjoy it, share it, and the licensing rights aren't a large concern of ours.ĪLEXIS CHRISTOFOROUS: Can you share with us some of the things we might be seeing from these two deals that you just inked? Or you mentioned Lionsgate and also DraftKings.ĭILLON ROSENBLATT: Yeah, on the Lionsgate front, they're going to be the leaders of our entertainment vertical. So to the critics, I would really say, this is a new digital good that you can actually own because of the incredible capabilities of Blockchain and the technology underlying it. It's about owning something that you love and that you can share and enjoy in a new way digitally. And it's not about owning the rights to it. You're going to enjoy collecting this content from Lionsgate, from one of the world's biggest talent. What do you say to the critics, though, who have concern that when you buy the NFT, you're not actually buying the licensing right for that physical item to do something with it?ĭILLON ROSENBLATT: Well, I would say that we position our product as a collectible. And yet what you're doing with this partnership seems to address one big issue, is that the custodian, you folk, of the actual original physical object that is undermining or underlying the NFT, you're going to be around much longer than perhaps, you know, some organization called Fred's NFT Artwork. ADAM SHAPIRO: Yeah, Anil Dash, CEO from Glitch, actually wrote an article not too long ago at The Atlantic, very critical of what's happened in the NFT space.
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